The emblem and the device or impresa as it was called in Italy were the most direct and telling manifestations of a mentality that played a significant role in the discourse and art in Western Europe between the late Middle Ages and the mid eighteenth century In the history of Western symbolism, the emblematic sign forms a bridge between late medieval allegory and the Romantic metaphor These intricate combinations of picture and text, where the picture completes the ellipses of an epigrammatic text, and where the text fixes the intention of the pictured signs, provide useful clues to the way pictures in general were read and textual descriptions visualized in early modern Europe.Daniel Russell demonstrates how the emblematic forms emerged from the way illustrations were used in late medieval French manuscript culture, how the forms were later disseminated in France, and how they functioned within early modern French culture and society He also attempts to show how the guiding principles behind the composition of emblems influenced the production of courtly decoration, ceremony, and propaganda, as well as the composition of literary texts as different as Maurice Sc ve s Delie, Montaigne s Essais, and Du Bartas s Sepmaine....
|Title||:||Emblematic Structures in Renaissance French Culture (University of Toronto Romance Series)|
|Publisher||:||University of Toronto Press, Scholarly Publishing Division y First edition edition November 9, 1995|
|Number of Pages||:||336 pages|
|File Size||:||685 KB|
|Status||:||Available For Download|
|Last checked||:||21 Minutes ago!|